ZooGems & Curios

    

                                                                                                         Compiled by R. V. Dietrich, Professor Emeritus


Comments or additions are welcome.
Comments and suggestions are welcome


The material on this web site, other than modifications made after September 10, 2009, is also available as a PDF file
and moved to Central Michigan University’s Online Digital Object Repository (CONDOR).  The PDF file can be accessed at
  

http://condor.cmich.edu/u?/p1610-01coll1,3174

Updates and revisions made to this site since the PDF file was prepared are in red type.



 


For FRANCES

 

 



"Fools rush in where wise men fear to tread"
Alexander Pope (1688-1744)


INTRODUCTION
     The Zoo- prefix in the title indicates that the materials treated herein are zoogenic -- i.e., animal parts or products;   Zoo-, rather than Bio-, was chosen because plant parts and products are not included.  (Two plant productions -- Amber and Jet -- are treated in the GemRocks folder.). Organic- seems not to be appropriate because some of the products have inorganic constituents.  The Gems & Curios part of the title specify the raison d'être.  With a few exceptions, fossils and items prepared by taxidermists or treated by tanners are NOT included.  (A few fossils used for fashioning jewelry or curios are described and illustrated in the Fossiliferous Rocks entry of the GemRocks folder.)  Not being a zoologist, and because I have a distaste related to the way some of the source animals are treated in order to get several of these products, I suspect I may have overlooked some noteworthy zoogenic materials that warrant addition.  Anyone who believes any other material of this genre should be added, please contact me with your suggested addition.  

     Most of the information presented herein has been compiled from publications, including web sites, and from oral and written personal communications, several of which I solicited.  I have, however, checked or determined the properties given for many of the materials, and have contacted reputable scientists to check the status of much of the other included data.  Identifications and scientific names, which are given for several, albeit not all, of the animals are now being rechecked for accuracy and current status according to the International Code of Zoological NomenclatureI shall greatly appreciate receiving corrections and updates, along with references for documentation, from anyone who sees the need for such!

     Names given as titles for the entries are inconsistent – some are singular, some are plural; some are specific, some include related materials; duplication occurs -- e.g., IVORY and TEETH (other than ivory); ... etc.  This inconsistency reflects my attempt to choose the names that will be familiar to most readers, and thus facilitate and expedite their finding the materials in which they may be interested.

     Information given for each material follows the same general format, and should be considered in this same light and with the same disclaimers in mind as is urged for information given in the entries in GEMROCKS.  In addition, the following comments seem noteworthy:
                   First:  Whereas  the materials  included in GEMROCKS are within my field of concentration, those  treated in this file are NOT.  ---- Thus, the quotation preceding this introduction seems appropriate.  This, of course, raises the question as to why I undertook this compilation. ---- It's a long story; if anyone is interested, contact me and I will explain.

                   Seconda) Most DESCRIPTION subheadings are followed by a general statement about the material that includes its overall composition and macroscopic means of identifying the material;  inclusion of the Mohs scale of Hardness and Specific Gravity values reflect my geological experience and predilection.   b) USES of zoogenic materials to fulfill functional needs, as well as for adornment and fashioning decorative items, date back to early records of humans of several cultures, and thus help define human beings; therefore, a few functional as well as decorative items are included for many of the included materials.  c) OCCURRENCES & LOCALITIES are combined because occurrences of Zoogenic materials are geographic, i.e., they are environmentally controlled.  d) REMARKS include such things as etymology of the name of the material(s), treatments known to have been used to prepare the material for the mentioned uses, care that should be given anything fashioned from the material,  and tidbits that might help energize conversations -- "Did you know ...? -- abfacsimileout  the material(s).  e) SIMULANTS, which include natural and man-made materials, take on a new meaning so far as their uses in decorative pieces: Today, from a legal standpoint, some zoogenic materials are not available or are available only in limited amounts.  This is true because of the endangered status of the animals from which they come.  In 1973, the Convention on International Trade in Endangered Species (CITES) was formed to establish regulations for international trade involving wild animals and plants whose survival is threatened.  CITES pronouncements, which are recognized by most nations, apply to travelers as well as commercial traders who export or import any of the listed animals, plants and/or souvenirs (etc.) made from materials derived from these animals or plants.  Anyone who has any question about a given animal, plant or biogenic material should check its status on the CITES...(nd) web site.   As a consequence of this oversight, simulants of some of the materials treated herein are especially noteworthy:  The use of many of the simulants has the positive aspect that no animal was harmed or slaughtered in order to fashion any items made from them.   f)  REPLICAS are noted under this last subheading of some entries. Items fashioned to represent -- be it well, only grossly or stylistically -- the animal(s) whose parts are the foci of the entries are noted;  the roles these items have and the materials from which they are made are included.  g) A GLOSSARY, BIBLIOGRAPHY and INDEX are included.  The BIBLIOGRAPHY includes references cited in the text and additional selected references that seem noteworthy.  Additional and alternative sources could be given for several of the subjects.  My selection is based such things as availability and the fact that many of these references could lead readers to additional pertinent publications.  h) APPENDIX A is list of the materials used to fashion replicas and includes links to the entries where each of these materials is mentioned.  

                Third, the uneven coverage for any one versus other materials should not be interpreted to be a reflection on the amount of information available about any given material.  It is based on my opinion as to what coverage seems appropriate for this compilation.

     Some of the presented information will date me. Some of my choices of, for example, anecdotes will, I suspect, give those who are so-oriented insight into my psyche.  So be it.

    This file, like others on this web site, will be revised and updated continually!
Updates and modifications made after September 10, 2009 are preceded by two asterisks, one on either side of a plus sign (*+*). 
These changes are NOT included on the PDF copy in the CMU CONDOR Archive.
 

Acknowledgments:  Kurt R. Dietrich, Richard S. Dietrich and Craig A. Gibson critically read  the original copy for all entries; George H. Wittler (of the Biology Department, Ripon College) checked several of the entries;  William R. Mann and Robert E. Weisblut (Co-founders of the International Ivory Society) made several suggestions incorporated into the Hornbill Ivory and Ivory entries; Jessee J. Smith (Silverspot Studio) critkqued the Porcupine entry.  Margaret Dodd, (Interlibrary Loan department CMU), David D. Ginsburg (Reference Librarian, at CMU), Cathleen A. Jonathan (Periodicals/Research Librarian at the Richard T. Liddicoat Library and Information Center at the Gemological Institute of America), and Stuart D. Overlin (Associate Editor, Gems & Gemology) helped me, well beyond the call of duty, to get several of the references listed in the bibliography.  Miles Alters (Red Lobster of Mt. Pleasant, Michigan),  Edith Blanchard (Curator, The National Czech & Slovak Museum & Library, Cedar Rapids, Iowa), Jack A. Brown (Kecheneny Fish Prints, Noank, Connecticut),  Robert B. Brown (Arnold Transit Co., Mackinac Island, Michigan),  Robert D. Conkwright, Jr. (Maryland Geological Survey), Jason Damm (assisted by Amanda Hagy and Elizabeth Peterson, of the CMU Museum of Cultural and Natural History), Christy A. Hensler (The Rock Garden, Newport, Washington), Justin B. Ries (Department of Earth and Planetary Sciences, Johns Hopkins University),  Margaret Sandwith (Niven Library of the Percy FitzPatrick Institute of African Ornithology, University of Cape Town, South Africa),  H. Catherine W. Skinner (Department of Geology and Geophysics, Yale University), Reed Wicander (Department of Geology, CMU), and Deborah A. Yonick (Jewelry Journalist, South-central Pennsylvania) supplied information, materials for study and/or publications.   Emmett Mason, Professor Emeritus, CMU set up the format.  The people and/or organizations from whom I received permission to use the included photographs are noted in the appropriate captions.  I gratefully THANK each of the above noted individuals for her or his contributions.
 
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R.V. Dietrich © 2008
Revised: April 9, 2008
web page created by Emmett Mason